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A serious competitor for the gated community aficionado but much more practical and if we may say, much more stylish indeed. You could even wear your living room on the street (watch out not to hit any bystanders).
The work of the Austrian artist and architect Walter Pichler is not well known, despite the fact that his work had a discernible impact - at an international level - on the course of art and architecture in the late 1960s and early 1970s. This year a recent exhibition in Vienna, at the Generali Foundation, brought together an influential series of works called "Prototypes" that Pichler produced between 1966 and 1969. These works were first shown in Austria in 1967 and were included a year later at Dokumenta 4 in Kassel, Germany, but since then had remained largely unseen until this year.
Walter Pichler TV Helmet (Portable Living Room), 1967
As the 1960s are revisited - in fashion, film, and design - Pichler's prototypes, furniture, and architectural proposals form an important body of work. Judged in relation to his Austrian contemporaries Hans Hollein and Raimund Abraham, and in relation to the plug-in architecture experiments of Archigram, Archizoom, and Superstudio, Pichler's prototypes have a laconic quality that sets them apart from the utopian fervor of his international colleagues.
In an interview conducted in 1997, Pichler distinguished his work from the issue-oriented political work of his colleagues. "It did get on my nerves a bit, the way direct, fashionable references were made to the Vietnam war, to everyday politics. I believed that the critique had to start with the medium and not the political situation." Reflecting on the visionary or utopian character of the late 1960s, Pichler identified a darker strain in his own Prototypes series: "TV Helmet or Portable Living Room, as it was also called, and Small Room were really cynical, meant to be cynical in a funny way. At the time, television was just appearing on the scene. These works are about isolation cells. The critical thrust consisted in revealing this isolation and expressing it in a very overdrawn way."
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